Edgar Allan Poe

Boston: Anne & David Bromer, 1981. [21] pp. approx. 2 x 2 5/8". LIMITED EDITION of 150 copies, thirty-five of which are deluxe. Apart from the deluxe bindings printed by the Thistle Bindery which have a black inlaid morocco binding with box, this is a unique deluxe A/P edition in a custom Roland Meuter binding with pink leather, marbled aluminum covers and gilt top edge gauffered. Colored illustrations, signed by the illustrator on the colophon, housed in a wooden box with pink leather accents, in fine condition. (Bradbury, Bromer 7)

When Linnea Gentry moved her successful Amaranth Press from San Francisco to Santa Fe in 1980, she brought an exceptional sense of quality and a reputation as one of the Bay area’s most talented book artists. Gentry started her career as a designer at the EP Dutton firm in New York. In San Francisco she camped on the doorstep of the much-lauded Grabhorn Press, until she was taken on as a typesetting apprentice. She later launched her Amaranth Press where she turned out fine letterpress work for a discriminating clientele. In the mid-1970s she helped found and became production manager of Fine Print, an international journal of the book arts.

Her introduction to New Mexico came during childhood visits to her aunt, Helen Gentry, a renowned book designer and publisher who lived part-time in Santa Fe during the 1930s and 1940s and settled there after 1965. Colored by the elder Gentry’s circle of artist friends, the visits made a deep impression and influenced the Amaranth’s brief stay in Santa Fe before Gentry closed the press in 1983. (privatepress.org)

The binder, Roland Meuter, maintains an atelier in Ascona, Switzerland, where he continues to produce imaginatively designed bindings that attract considerable attention.

Izaak Walton

London: Henry Frowde, ca 1900. Approximately 1 1/4 x 2". 588 pp. Rare in Miniature Book format. Black leather over boards with gilt title in panel on spine, gilt top edge, frontispiece with no tissue guard and minor tear, Oxford University Press Warehouse Amen Corner E.C., based on fifth edition on India paper, final page separated but still included, in very good+ condition. (Welsh 7030, Bondy p. 117, Coigney 204)

Subtitled "The Contemplative Man's Recreation, Being a Discourse of Rivers, Fishponds, Fish and Fishing, not unworthy the Perusal of most Anglers." The Compleat Angler is a practical guide to the art of angling, or fishing; however, it also has political and historical underpinnings. What sets "The Compleat Angler" apart from other practical handbooks and puts it firmly in the realm of literature is its delightful style that is technically polished and charming to read and its abundance of insight into human nature.

Peter Thomas

Santa Cruz, CA: The Good Book Press, 1983. (44) pp. Approximately 2 7/8 x 1 3/8", oblong. LIMITED EDITION of 150 copies, this being #6. Brown leather over boards with title blind-stamped on cover, marbled endpapers, letterpress on handmade paper, 13 tipped-in illustrations by Donna, paper made by Peter, signed on the colophon. A fine copy, attractively produced. (Bradbury, Peter & Donna Thomas, 8; P&D Thomas Bibliography A24)

A poignant book, beautifully produced with a story about a short and ugly dwarf who felt lonely and rejected but found solace in the peacefulness and acceptance of nature. Later bindings have the title blind stamped on the cover. The type used was American Uncial, a short, squat typeface which inspired the format of the book.

Thomas Love Peacock

n.p.: The Cherub Press, 1987. (6) pp. Approximately 2 3/4 x 2 3/8". LIMITED EDITION of 65 copies. Decorated handmade paper over stiff wrappers, printed paper lable on front cover, Hand-colored frontis by Kim Butcher. A fine copy, attractively printed.

Cherub Press is the publisher of the journal KABBALAH and many books and editions of Jewish mystical literature. This particular little story is an excerpt from Thomas L. Peacock's novel, "Maid Marion" (1822).