New Arrivals
Dancers
Freeville, New York: Carol Schwartzott, 2019. Limited edition of 10, this being #6. 2 x 3 1/2". Accordion structure, digitally printed, collage style with hand-embellished color. Housed in a decorated altoid tin with marbled papers interior and exterior with paper title on lid, secured in a two-colored coordinating felt bag, signed and numbered by the artist, all in fine condition.
From the artist: "Dancers is an accordion fold-out that celebrates dance...a series of ballerinas, carefully cut out, like tiny paper dolls...each shows us a particular style of dancer. Another fun project using marbled papers and collage". Carol Schwartzott is an American book artist. Her work is in the National Museum of Women in the Arts (NMWA), Rutgers University Special Collections, the Smithsonian American Art Museum the University of Southern California Special Collections, and the Walker Art Center.
Sinking to Heaven
Lake City, CO: Ravenpress, 2001. (Box) Approximately 1 1/2 x 3 x 2". LIMITED EDITION of 25 copies, this being #12. Outer box is dark wood with decorative brass onlays, in fine condition; Color copies from watercolor paintings with Mohawk Superfine text that are laminated to museum boards with burgundy and orange ribbons, two-sided, six paneled Jacob's ladder construction, numbered and signed on the colophon by the publisher, in fine condition.
This is the second book in the miniature pillow book series. Bailey uses evocative language and richly erotic imagery to refer to passions that remain indescribable. Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural redesign and innovations.
There are Names for Those Acts (Which We Long to Perform)
Lake City, CO: Ravenpress, 2001. (Box) Approximately 1 1/2 x 2 5/8 x 13/16". LIMITED EDITION of 25 copies, this being #11. Outer box is dark wood with brass decorations, in fine condition; Accordion hinged boards with paste and marbled papers, book opens to 2 x 9", color laserprint from original watercolors, numbered and signed on the colophon by the publisher, in fine condition.
This is the first book in the miniature pillow book series. Based on the traditional instructional pillow books given couples on their wedding night, this two-sided accordion contains six secually explicit watercolors paired with six physical and spiritual descriptions of the 'embraces of love' taken from ancient Asian texts. Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural redesign and innovations.
Transformation
Lake City, CO: Ravenpress, 2001. Approximately 1 1/2 x 2 x 2". LIMITED EDITION of 26 copies, this being #17. Outer box is carved and painted horn with brass hinge and owl clasp from India, slight chip on outside bottom layer of box, otherwise in near fine condition; Orange paper over boards with exposed spine and laserprinted title, color copies from watercolor paintings, numbered and signed on the colophon by the publisher, in fine condition.
This is the third book in the miniature pillow book series. Adria Klinger's poem "Transformation" accompanies beautifully sensual watercolor paintings by Alicia Bailey, in a pairing of words and images that is both evocative and explicit. Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural redesign and innovations.
Opening a Shell (Shell Book 5)
Lake City, CO: Ravenpress, 2001. Approximately 2 7/8 x 2 7/8". LIMITED EDITION of 15 copies, this being #8. Outer box has mustard cloth and maroon illustrated and textured paper along with title label on spine, in fine condition; inside of box has five hanging cowry shells suspended from the top of the box with attached handing text, laser printed on unryu tissue, illustrated on the back of the inner box, visible only by moving the hanging objects, numbered and signed on the inside box spine by the publisher, in fine condition.
Pushing beyond typical erotic content, this box-style book explores auto-erotic sensations from a female perspective. Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural redesign and innovations.
Belladonna
Aurora, CO: Ravenpress, 2005. Approximately 1 3/8 x 1 3/8". LIMITED EDITION of 25 copies, this being #9. Cosmetics case, with printed foil label, slightly worn with small bits of foil missing, in very good condition; Three accordion miniature books have polymer clay covers with laser print transfer, illustrated, numbered and signed on the colophon on the back of the case by the publisher, in fine condition.
Created as part of a series using cosmetic tools and containers as structure, this piece contributes to an ongoing commentary on the harms of the cosmetic industry. Three accordion books detail various aspects of the Belladonna plant (Deadly Nightshade). This plant, although toxic, has been used medicinally and as an aid to beauty as its ingestion enlarges the pupils of the eye (a look that indicates sexual arousal and is known as 'bedroom eyes'). Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural redesign and innovations.
Re-rooting
Lake City, CO: Ravenpress, 1997. [18] pp. Approximately 1 3/8 x 1 3/8". LIMITED EDITION of 26 copies, this being #26. Paper covered box with wood, shell and bone sculpture on lid in fine condition; miniature book has paper covered board with bone, seed, ribbon closure, 5 illustrations, laserprint on paste paper and chiri tissue, signed and numbered on the colophon by the publisher, in fine conditon.
The text is excerpted from Donna Jackson's poem Re-rooting, © 1991. Bailey says that this book references her own awareness of union with earth and questions the notion of ever leaving the natural world. Alicia Bailey began publishing under the Ravenpress imprint in 1996. Ravenpress publications are held in private, public and special collections worldwide. Bailey thinks of the artists' book works she creates as interactive sculptures realized in the form of the book. She works in a wide variety of materials, including those not often associated with the book form, thus necessitating structural re-design and innovations.
Frederick Law Olmsted at Biltmore
Dallas, TX: Aredian Press, 2023. Approximately 3 x 2 3/4", oblong. LIMITED EDITION of 10 copies, this being #9. Design binding by Patrice Miller of Aredian Press. Green photographic paper cover with green leather quarter bound, extra endpapers on special paper, stamp frontispiece, colophon and limitation which is, signed and numbered by the publisher, illustrations, in fine condition. Beautifully structured and well-written biography.
Frederick Law Olmsted (1922 - 1903) was an American landscape architect, as well as a public administrator, social critic, and journalist. He was famous for co-designing many well known parks such as New York's Central Park, Brooklyn's Prospect Park, as well as the campuses of Wellesley College, Smith College, Stanford University and the University of Chicago. Olmsted not only designed the landscape architecture of the Biltmore for George Vanderbilt II, but he designed the Biltmore Village to replicate the working estates of Europe. He was an important early conservationist and he encouraged the full use of naturally occurring features of any given space.
Patrice Miller's work has found its way to private and university collections, in the states and abroad. Human foibles, nature’s panoply, and artistic cleverness cannot help but inform future work. She continues to bind, and rebind, in Dallas, Texas.
Birds in Paradise (or) Life Upon a Japanese Screen
Los Angeles, CA: The Paper Source Museum & Gallery, 1984. Approximately 21 x 17", oblong. LIMITED EDITION of 100 copies, this being #36. Broadside is a serigraph image over text, signed and numbered in pencil by the artist, in fine condition.
Joseph D'Ambrosio (1934 -2009) was an American artist and binder. He left a career in engineering to pursue a new career in making artist’s books. He wrote, set type, printed designs, did the artwork and the binding. His books were considered works of art and were signed and numbered similar to limited edition fine art prints. D’Ambrosio also produced many broadside posters on fine papers that were issued in conjunction with his book projects and for special events. This broadside from 1984 is a promotional work for his book of the same title.
D'Ambrosio: The Book as an Art Form
Gualala, CA: North Light Gallery, 1983. Approximately 17 x 21". LIMITED EDITION of 100 copies, this being #60. Broadside is a serigraph image with text, signed and numbered in pencil by the artist, in fine condition.
Joseph D'Ambrosio (1934 -2009) was an American artist and binder. He left a career in engineering to pursue a new career in making artist’s books. He wrote, set type, printed designs, did the artwork and the binding. His books were considered works of art and were signed and numbered similar to limited edition fine art prints. D’Ambrosio also produced many broadside posters on fine papers that were issued in conjunction with his book projects and for special events. This broadside from 1983 is a promotional work for his book of the same title.