New Arrivals
The Cask of Amontillado
Boston: Anne & David Bromer, 1981. [21] pp. approx. 2 x 2 5/8". LIMITED EDITION of 150 copies, thirty-five of which are deluxe. Apart from the deluxe bindings printed by the Thistle Bindery which have a black inlaid morocco binding with box, this is a unique deluxe A/P edition in a custom Roland Meuter binding with pink leather, marbled aluminum covers and gilt top edge gauffered. Colored illustrations, signed by the illustrator on the colophon, housed in a wooden box with pink leather accents, in fine condition. (Bradbury, Bromer 7)
When Linnea Gentry moved her successful Amaranth Press from San Francisco to Santa Fe in 1980, she brought an exceptional sense of quality and a reputation as one of the Bay area’s most talented book artists. Gentry started her career as a designer at the EP Dutton firm in New York. In San Francisco she camped on the doorstep of the much-lauded Grabhorn Press, until she was taken on as a typesetting apprentice. She later launched her Amaranth Press where she turned out fine letterpress work for a discriminating clientele. In the mid-1970s she helped found and became production manager of Fine Print, an international journal of the book arts.
Her introduction to New Mexico came during childhood visits to her aunt, Helen Gentry, a renowned book designer and publisher who lived part-time in Santa Fe during the 1930s and 1940s and settled there after 1965. Colored by the elder Gentry’s circle of artist friends, the visits made a deep impression and influenced the Amaranth’s brief stay in Santa Fe before Gentry closed the press in 1983. (privatepress.org)
The binder, Roland Meuter, maintains an atelier in Ascona, Switzerland, where he continues to produce imaginatively designed bindings that attract considerable attention.
To a Coy Koi
Dallas, TX: Aredian Press, 2022. Approximately 2 1/2 x 2 1/2". LIMITED EDITION of 7 copies, this being #5. Design binding by Patrice Miller of Aredian Press. The structure is a crossed portfolio with an illustrated three-dimensional central core, decorated matchbox sleeve enclosure provides the title, colophon, and limitation which is, signed and numbered by the publisher, hand-drawn and hand-colored illustrations, in fine condition. Beautifully structured and original miniature book.
The original sixteen line poem in iambic pentameter is a parody of Andrew Marvell's "To His Coy Mistress", and is a water gardener's lament. Patrice Miller's work has found its way to private and university collections, in the states and abroad. Human foibles, nature’s panoply, and artistic cleverness cannot help but inform future work. She continues to bind, and rebind, in Dallas, Texas.
![The Worsted Monster [Design Binding]](http://thebooklair.com/cdn/shop/files/002539_f5438008-95dc-46a6-81c0-69686fee5ad1_grande.jpg?v=1740450847)
The Worsted Monster [Design Binding]
Dallas, TX: Aredian Press, 2020. Approximately 2 15/16 x 2 15/16". First edition, LIMITED EDITION of 26 copies, this being letter "G". Design binding by Patrice Miller of Aredian Press, presented within a box covered with a tan slubbed book cloth and burgundy bonded leather. The leather stripping surrounding the box exterior represents strands of yarn. Upon opening the book, one sees a multicolored knitted object sitting inside a woolen sock. Using the sock to lift the object from the box, one finds the book within the wide hand-knitted band of heavy yarn. The book is burgundy leather over boards with WM initials on cover label, inside is a carousel structure with two built-in slipcases holding the text of the play and a portfolio of the play kit with sets, characters, props and Gorey's production notes. Signed and numbered by the publisher on the colophon, fine condition.
The Worsted Monster by Edward Gorey was previously published only in National Lampoon magazine, as a do-it-yourself activity consisting of a plot script with Gorey's illustrations for set, characters, props, and production notes. The play consists of a prologue and three acts. Utter nonsense, the action begins with the infant Isinglass being overtaken by the monster and concludes with the menacing yarn inexplicably having become a huge pile of knitted socks. This is the first edition, authorized by the Edward Gorey Charitable Trust, and is being produced in an edition of 26 with copies lettered A to Z, as well as three out of series copies for the publisher and the EGT archives. Patrice Miller's work has found its way to private and university collections, in the states and abroad. Human foibles, nature’s panoply, and artistic cleverness cannot help but inform future work. She continues to bind, and rebind, in Dallas, Texas.
Knee Deep at the Long Branch Saloon, Berkeley, California
Berkeley, CA: n.p, [1971]. Approximately 11 x 14". Graphics poster on yellow stock paper, advertising the band Knee Deep playing at the Long Branch Saloon in Berkeley. Online records show that this concert happened December 10, 1971, in near fine condition.
The Knee Deep band is a rock and roll dance band, still playing in the San Francisco Bay Area. The interesting thing about this poster is the location: 2504 San Pablo Avenue, which has a fascinating rock and roll history. In the 60's, this address had been the site of The Cabale, an essential stop on the 60s folk circuit. It briefly became the Good Buddy, then Caverns West, then the Questing Beast in 1965 where Country Joe and the Fish often played. In 1966 the club then became Tito's and in 1969 the Babylon. The room size was doubled and renamed the Long Branch in 1971. Numerous musicians played here such as Earth Quake, Grootna, Flying Circus, Charlie Musselwhite, Cookin' Mama, Elvin Bishop Group, Linx, Alice Stuart, Commander Cody, Sopwith Camel, the New Riders of the Purple Sage (Jerry Garcia), Tower of Power, Cold Blood, and Knee Deep.
Princess Diana of Wales Charcoal Offset Lithograph Print
(Southern) California: Gary Saderup, 1997. Approximately 13x 17". Open edition offset lithograph paper print in charcoal, uncut and folded so there are two identical posters, in near fine condition.
Gary Saderup is an American artist who majored in illustration and film while attending the Art Center Collage of Design in Pasadena, CA. His style, when closely examinded, reveals the delicate application of charcoal to the surface by his hand along, one of the most difficult arts to master. Gary wants his audience to "see into the hearts" of his subjects.
Birds in Paradise (or) Life Upon a Japanese Screen
Los Angeles, CA: The Paper Source Museum & Gallery, 1984. Approximately 21 x 17", oblong. LIMITED EDITION of 100 copies, this being #36. Broadside is a serigraph image over text, signed and numbered in pencil by the artist, in fine condition.
Joseph D'Ambrosio (1934 -2009) was an American artist and binder. He left a career in engineering to pursue a new career in making artist’s books. He wrote, set type, printed designs, did the artwork and the binding. His books were considered works of art and were signed and numbered similar to limited edition fine art prints. D’Ambrosio also produced many broadside posters on fine papers that were issued in conjunction with his book projects and for special events. This broadside from 1984 is a promotional work for his book of the same title.
D'Ambrosio: The Book as an Art Form
Gualala, CA: North Light Gallery, 1983. Approximately 17 x 21". LIMITED EDITION of 100 copies, this being #60. Broadside is a serigraph image with text, signed and numbered in pencil by the artist, in fine condition.
Joseph D'Ambrosio (1934 -2009) was an American artist and binder. He left a career in engineering to pursue a new career in making artist’s books. He wrote, set type, printed designs, did the artwork and the binding. His books were considered works of art and were signed and numbered similar to limited edition fine art prints. D’Ambrosio also produced many broadside posters on fine papers that were issued in conjunction with his book projects and for special events. This broadside from 1983 is a promotional work for his book of the same title.
Record of Service of Connecticut Men in the Army and Navy of the United States During the War of the Rebellion. Compiled By Authority of the General Assembly Under Direction of the Adjutants-General.
New York: The Case, Lockwood & Brainard Company, 1889. 1071 pp. First Edition, quarter calf with burgundy cloth boards, gilt letters on spine with raised bands, minor rubbing to spine top and botton, some wear on bottom edges where heavy volume was pulled off shelf, interior slightly tanned but no marks, numbered black ink stamp "150" on bottom edge of pages. Overall, very good + condition. A very rare volume, still colorful and beautiful.
The New England state of Connecticut played a relatively small, but important role in the American Civil War, providing arms, equipment, money, supplies, and manpower for the Union Army, as well as the Union Navy. Several Connecticut politicians played significant roles in the Federal government and helped shape its policies during the war and the subsequent Reconstruction. This book is a must-have for a Civil War researcher in regards to the service personnel of Connecticut.
The Gashlycrumb Tinies Limited Edition Portfolio
Yarmouth Port, MA: Edward Gorey House, 2013. Black four-flap case with label on front cover houses all items, in fine condition. 30 loose sheets with black frame, Edward Gorey's embossed signature on title and colophon cards, in fine condition.
In 2013, the golden anniversary of the publication of The Gashlybrumb Tinies arrived. This is Edward Gorey's most iconic (appalling) alphabet book and most likely his best known work. It has never been out of print. Gorey House issued, as separate plates, the 26 Tinies and the original cover image, each suitable for framing. Images are printed in their original size of 5 x 6" on 8 x 10" art paper. Enclosed with the plates is an attractive portfolio and an a celebratory title card and colophon card giving the details of this particular edition. Issued in a limited edition of 100 numbered sets and 26 lettered sets, this being "F/26". A bonus in the lettered sets is the plate of the rejected "F is for Fanny" because Edward chose to rework it for the final book, produced here separately for the first time. Lettered sets sold out quickly and are thus scarce to find on the market.
All About the Little Small Red Hen
Dallas, TX: Aredian Press, 2021. Approximately 2 1/4 x 2 3/4", 58 pp. First edition, LIMITED EDITION of 10 copies, this being #9. Design binding by Patrice Miller of Aredian Press, presented within a tan and brown checked sack with hand embroidered "red hen" scrim patch. Red leather 1/4 binding with hand-embroidered spine, patterened cloth over boards with printed label on front cover, ribbon bookmark featuring a tiny scissors charm, signed and numbered by the publisher on the colophon, fine condition.
Here is a beautiful rendition of a classic children's tale of an industrious hen outwitting a cunning fox. It includes eight watercolors and nine black and white illustrations by Johnny B. Gruelle. The publisher has hand-colored the half-title and main title page illustrations. Each copy of the edition is bound with a different combination of patterned fabric, spine leather and endpaper materials and treatment. Patrice Miller's work has found its way to private and university collections, in the states and abroad. Human foibles, nature’s panoply, and artistic cleverness cannot help but inform future work. She continues to bind, and rebind, in Dallas, Texas.